CAMA Festival – the largest annual music festival in Hanoi will take place this May, with the presence of ten foreign and local bands. All profits raised by the festival will be donated to the Fauna and Flora International (FFI)’s endangered primate protection program in northern Vietnam. Performing on the main stage will be P.K.14 (China), Okamoto’s (Japan), The Standards (Thailand), Ball Park Music (Australia), 6789 (HCM City, Vietnam), Rosewood (Hanoi, Vietnam), Recycle (Hanoi, Vietnam), Gibbon Suburbia (Hanoi, Vietnam), Phuong Dang (Hanoi, Vietnam) and Commens (Hanoi, Vietnam). Performing on the electronic stage will include CAMA Sound System, Tri Minh (Vietnam), DJ Jase (HCM City/Australia), DJ Slippy (Japan), DJ Polo (France), Vu Nhat Tan (Vietnam), DJ Vaughan (UK), DJ Cache and Stoker’s Delight. Flagged by Time Magazine as one of the top 5 bands to watch in Asia, and one of SPIN’s top picks at SXSW 2010, P.K.14 are the undisputed leaders of China’s new wave, the raw, beating heart of a new generation of rock revolutionaries. Since forming in Nanjing back in 1997, the band has recorded four albums, played innumerable live shows around China and the world, and influenced almost every act to emerge from Beijing’s grimy underbelly over the past five years. Vietnam’s first true electronic artist, Tri Minh started his career in the early 90s as a jazz musician, graduating with a degree in composing from the Hanoi Conservatory of Music. After a period of improvising with jazz, Tri Minh began to expand his creative palette, moving into the new world of electronica. Since 1999, Tri Minh has composed and performed as a solo electronic artist, playing around Vietnam and the world. Known for both his work as a top-notch minimalist DJ and avant-garde musician and sound artist, Tri Minh merges electronic programming and instrumentation with traditional Vietnamese music both in musical performances and in combination with modern installations and performances. Psychedelic garage rock sensation, Okamoto’s, are some of Japan’s fastest rising stars. Young, dynamic and uncompromising, the band has forged a name for themselves over the last 3 years based on their intense stage shows and brash, raw sound. One of the hardest working acts on the Japanese scene (playing 100 shows in 2009 alone), the four 19-year-olds from Shinjuku, Tokyo, have already begun to make a big name for themselves internationally, touring the US, Australia and Hong Kong to rave reviews from fans and media alike. Stalwarts of the vibrant Bangkok live music scene, The Standards have been wowing audiences with their signature Brit-Thai fusion sound for over 3 years. Made up of London boy Matt Smith on vocals, Paul Smith on lead guitar, and Bangkok natives Sithikorn “Mac” Likitvorachai on bass, Ayu Charuburana on drums and Manasnit Setthawong on keyboard, The Standards have developed a firm reputation as one of the region’s must-see live acts. With their riotous live shows attracting a cult-like following at home in Thailand and inspiring bookings in the Philippines, Malaysia, Singapore, and now Vietnam, The Standards are an act firmly making their mark on the burgeoning Southeast Asian rock circuit. Ball Park MusicDarlings of the Australian indie scene, six-headed musical juggernaut Ball Park Music is an act on the up and up. With their unique pop recipe, full of sliding trombones and heart-breaking folk, jangly guitars and honky-tonk piano, the band has been winning hearts and minds down under with a slew of alternative radio hits and live performances alongside the likes of Philadelphia Grand Jury, Cloud Control, Deep Sea Arcade, Boy & Bear, Hungry Kids of Hungary and even Radiohead. Starting 2011 with a coveted slot at the Big Day Out - Australia’s biggest rock festival – and a nod from national broadcaster Triple J as one of the hottest acts to watch in the country, Ball Park Music are now preparing to make their Asian debut in Hanoi at the upcoming CAMA Festival 5. 6789 may struggle to defy categorization, but their diverse influences and enthusiastic stage shows have fast won them a devoted fan base over the last year in their native HCM City. Melding funk, reggae, ska and more, the four members of 6789 – Way (drums), Janel (acoustic guitar), Dunk (electric guitar) and Phuong (bass) – without doubt, make for one of Vietnam’s most original new acts. Rising from the ashes of local rock/numetal bands Buratinox and SmallFire, Hanoi alternative rockers Rosewood have gone on to become one of Vietnam’s leading live acts. Building a reputation for hard-hitting live performances, VÅ© Hà (lead guitar), Nam Thắng (bass), Trung Kiên (drum) and VÅ© Nháºt Linh (vocals, guitar) have won fans around the nation with their performances at rock showcases including Rockstorm and the Tiger Translate Metropolis events around Vietnam in 2010. One of the leading talents on Hanoi’s young rock scene, Recycle are a hard-hitting alternative metal act made up of Nguyá»
n Viá»t DÅ©ng a.k.a Joon (vocalist), TÄng Xuân Kiên a.k.a Cun (bassist), Nguyá»
n Thanh Liêm (guitarists) and Hoà ng Phú Tùng (drummer). Choosing Alternative Metal as their kind of music, Re-Cycle always brings a different sound among the others. Full of youth, enthusiasm and skill, they attract lots of attention during their performance. They have released 2 EPs, 2 MV and audiences find “The Promise”, “Paranoid” and “Get over” their most well known songs. An audience favorite at the 3rd CAMA Festival in 2009, the boys have since gone on to release 2 original EPs, 2 music videos, and win ever more fans with their passionate stage shows and distinctly Vietnamese brand of heavy rock. Gibbon Suburbia’s eclectic, electric, heavy layered arboreal sound sits on a sonic bed of solid hard rock, drawing inspiration from hardcore, protopunk, garage and progressive rock with a generous dash of psychedelic grunge-instrumental experimentalism. Commens - Hanoi’s newest electronic rock act consists of California transplants Ryan Chittick, Lilly Nguyen and Taylor Cavale. Commens draws upon electronic music, krautrock, post rock, minimalism and maximalism, blending sequenced electronics, synthesizers, and live drumming. Chittick and Nguyen have musical roots in the San Francisco music scene playing shows in clubs, warehouses and basements and touring the US and Europe with bands such as Warbler, Experimental Dental School and Kid 606. Phuong Dang, 22, Vietnamese, beautiful, bilingual, quirky, baroqueish, at times theatrical, soul piercing and honest, is an elegant pianist with powerful vocals. Recent performances have literally left the audience in awe of this must-see homegrown talent. One of Vietnam’s leading electronic artists and producers, Vu Nhat Tan has forged a name for himself as a DJ and composer of experimental music. From orchestral works to chamber and piano music to cutting-edge electro and multimedia performances. Studying in Vietnam, Germany and the US, Tan has performed around Asia, Europe and the United States and received a host of honors from the Vietnam Composers Association, as well as First Prize in the prestigious Saint-German-en-Laye competition. A hands-down hit at last year’s CAMA Festival, Tan returns to the festival with his uniquely Vietnamese take on electronica in 2011. DJ JASE (The Beats Saigon) - Pioneering Vietnamese bass DJ, Jase has been pushing the bass heavy sound in Vietnam since 2007. Part of Sydney’s infamous Foreign Dub crew and founder and driving force of HCM City’s The Beats (who have themselves brought over 30 international acts to Vietnam), Jase is a long-time CAMA collaborator who has developed an enviable reputation with audiences in Hanoi and around Vietnam. A self-taught DJ, Jase’s style is electric, spinning everything from hip hop to reggae, funk, drum’n’bass, dubstep, abstract beats, and even vintage Vietnamese rock. Born in Paris, DJ Polo is a Hanoi dance floor favourite. A CAMA Sound system resident he has played some amazing sets with Akil the MC (Jurrasic5), Tha Trickaz, and many more. His set includes Electro, dub and house. Australia’s DJ Cache started out in the basement of a friend’s house with a hefty vinyl collection of Trance, Techno, Big Beat and Jungle. In 2001 he moved to London, England, where he witnessed just how influential the DJ movement had become. He started collecting vinyl and soon became hooked on where music could take you. Today his major influences are from the organic rhythms of Quantic, the playful jazz wobble of Mr Scruff, the pounding dubstep of Bassnectar and the prolific pop, indie, and dancehall of remixer/producer Diplo. Prior to relocating to Hanoi, DJ Cache was a resident of X&Y Bar (Voted #1 music venue in Australia 2010) as well as making a slew of other special guest appearances throughout Australia. UK import Vaughan has never failed to get a dance floor packed - and we mean never. A long-time proponent of good-non-commercial beats, Vaughan is one of the minds behind the Electronic Hanoi parties and continues to deliver quality tracks wherever he plays. DJ Slippy is the exception that proves the rule. Despite flying in from Japan just to perform at CAMA Festival 5, Slippy is an original long-term Hanoi resident with a long history of waking up to a half eaten trung vit lon on the train to HCMC. Expect a taste of hitherto un-Hanoied tracks from Mr. Slithery himself. The festival will start at 1 pm, Saturday, May 28 at 19-21 Hai Ba Trung, Hanoi. Tickets are available at: Al Fresco’s: 23L Hai Bà TrÆ°ng; 108K1 Láng Hạ; 98 Xuân Diá»u; A37 Phá» Hoà ng Ngân; 19 Nhà Thá» Boo Skate Shops: 38 Lê Äại Hà nh; 84 Hà ng Äiếu; 24D Tạ Hiá»n Highway4 Restaurants: 3 Hà ng Tre; 25 Bát Sứ; 54 Mai Hắc Äế; 575 Kim Mã Puku: Tá»ng Duy Tân (cooking street) The House of SÆ¡n Tinh: 31 Xuân Diá»u FFI Head Ofice: 340 Nghi Tà m PV |