Hug me, brother!
Published: 30/05/2009 05:00
âI Love You, Manâ hilariously embraces the âbromanceâ like no film has before. | |||||||
Peter Klaven is the perfect boyfriend. In fact, heâs just sealed the deal with his girlfriend Zooey, and theyâre engaged to be married in a few months. Heâs such a good boyfriend, however, that all of his guy friends have âfallen by the wayside.â After hearing Zooey and her friends gossip about Peterâs lack of friends, Peter decides to do something about it. Enlisting the help of his brother Robbie, Peter goes on a series of âman-datesâ to try and find a best man for his wedding. They all fail spectacularly. Enter Sydney Fife. Sydney and Peter meet at an open house Peter is putting on. Sydney, sloppily dressed, down-to-earth and honest to a very serious fault, instantly makes an impression on Peter and they hit it off. The more time Peter spends with Sydney, the more Zooey misses him. So Peter has his best man now. But is that a good thing? From where Iâm sitting âI Love You, Manâ is the hilarious christening of a new genre: the bromantic comedy. While it religiously follows the romantic comedy formula, it does so with a major twist â“ the conflict revolves around two friends rather than two lovers. As the plot doesnât offer much in originality, the movie wouldnât be able to hold much water if it werenât for the considerable talent of its two stars. Paul Rudd and Jason Segel have fabulous chemistry together and make the 105 minute running time fly by. While you shouldnât go in expecting an emotional catharsis, and you should be aware that Sydney Fifeâs painful honesty often ventures into the downright crude, âI Love You, Manâ scores on a very important count â“ itâ s funny. Whoâs in it? Paul Rudd (Peter Klaven)/Jason Segel (Sydney Fife). After starring together in two comedies produced by Judd Apatow, âKnocked Upâ and âForgetting Sarah Marshall,â Rudd and Segel hit it out of the park with âI Love You, Man.â Before he met Apatow, Rudd was probably best known as Phoebeâs boyfriend in âFriends.â Segel has found success in the American TV series âHow I Met Your Mother.â If their performance in this film is any indication, this could be the makings of a popular new comedy duo. The supporting cast also does a fine job, with Rashida Jones, daughter of legendary music producer Quincy Jones, as Zooey, and none other than Jon Favreau as Zooeyâs best friend’s husband. After acting in âSwingersâ and âMadeâ with a not-yet-famous Vince Vaughn, Favreau moved to directing, helming âElf,â âZathuraâ and, most recently, âIron Man.â This performance shows Favreau has lost neither the taste nor the talent for acting. Technically speaking Itâs obvious that this film had strong creative direction from John Hamburg. Although heâs generally new to directing, he developed his feel for comedy and his great timing through writing many successful scripts. These include the âMeet the Parentsâ series, âAlong Came Polly,â and that classic expose of the male (Left to right) Denise (Jaime Pressly), Zooey Rice (Rashida Jones) and Hailey (Sarah Burns) are three close friends celebrating Zooeyâs wedding day in the comedy âI Love You, Manâ modeling industry, âZoolander.â The consistently good performances from the entire cast not only indicates good acting but confident and capable directing as well. All of the characters are well-defined in relation to one another and play off each other well, reflecting Hamburgâs strong vision. Moviegoers are notoriously fickle about their comedy, and whatâs funny to one person may be boring or disgusting to another. âI Love You, Manâ sometimes uses vulgarity to win a laugh, and runs in the same vein as the recent popular hits â40 Year Old Virginâ and âKnocked Up.â It may not win any awards come winter and there probably wonât be anyone crying in the audience, but there just might be tears of laughter. Donât take my word for it âI Love You, Manâ has won over 80 percent of the critics on www.rottentomatoes.com, with most attributing the success of the film to the performances of the leads. Though itâ s made over US$78 million worldwide, the movie seems to cater to a more American audience, as only 10 percent of its gross has come from overseas. Reported by Aaron Toronto |
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